Friday, 9 December 2011

The Limbo Diaries. 4 (Way Back When)

2/2/06

TJ: We start another new song 'Way Back When' with a pad and a loop, which takes it away from its singer/songwriter origins. The loop kicks it along nicely. I double track some acoustics (we've finally learnt to spell that word) on the choruses, and I pick a hooky riff in the chorus that Marcus hears as Led Zep, although it reminds me of the Gypsy Kings. We must co-ordinate our reference points!

MC: Another good productive day, I'll take Led Zep over the Gypsy Kings!


TJ: I have blackmail shots of Marcus dressed as a Gypsy King. 
I wouldn't publish one would I?

Thursday, 8 December 2011

Mighbrow: Jesus Shirt

This is pretty self explanatory really. 
I brought the shirt at the Oxfam shop in Hampstead (a better quality of tat). It still smells of someone else but it always comes out on special rock and roll occasions.
I love that shirt; almost as much as I love the shy, retiring lady that irons it for me...


Jesus Shirt

I watch you iron my shirts
Wishing that I could give
Such care to my labour
Not a perfect job
But a job well done
Done for the right reasons
Done for love
Done for the love of it
Done for the love of me

When you are done with love
I will be creased and crumpled
 
You have just finished my Jesus shirt
I love that shirt like no other
Yet I’m fearful of offending
By the wearing of it
And yet
When I wear it I am fearless
Untouchable
Out of myself
Above myself
Like no other
Divine

I know it’s there
Immodesty awaits
On a hanger in the wardrobe
The face of Christ
Smelling of mothballs
And promising everything

Wednesday, 7 December 2011

Hopeland (Notes from Corsica) 3. Not France Then?

Not France Then?

It all started with an argument.
I’d insisted that the quickest route from Whitby to London was via Norfolk. That way I could meet Reddyhoff to endorse his cover design for my new album ‘Alaska’. The sub title for this latest folly would be ‘Anywhere But Here’. The dye was cast. Di wasn’t happy to be cast as chauffeur. We never argue. We argued. During that journey off the beaten track, her sister, Hilary, replaced me in Di’s holiday plans, and if she was going to run for the hills Di would choose the most beautiful that the brochures had to offer. Her finger came to rest on Corsica.

“Trev, they’re the most beautiful hills you’ve never seen. You’re going to love it”. 
The phone crackled; she sounded like she was shouting at me from 1933. 
Hilary was equally enthusiastic: “The hotel used to be the home of the Michelin family. 
Funny, as the fabulous food has got us working on our spare tyres!”
On her return Di remained keen: “You’ve got to come and see. It’s a dreamland; like something 
out of a perfect past”.
We’d been together for many years and this was a first; we’d never returned to a holiday destination, 
however much we loved it. The rule was always to keep moving, keep looking for something new.
“I feel like my heart has found a home.”
What was it about Corsica that had Di ranting like a Mills and Boon heroine? She was smitten. 
I was intrigued and a little jealous.

As sea became land I peered out of the window for my first glimpse of the island. Mountains threw 
themselves into the sea with dramatic certainty. Between the granite peaks, green valleys 
arose elegantly and unchallenged but for the occasional shimmering of pink and white villages. 
To my right I could see the tiny port of Calvi, fronted by its proud citadel. This ancient stronghold 
had been the focus of many an envious eye; indeed Nelson had lost one orb here during 
his unsuccessful bombardment of the fort from the hills above. There was a permanence that 
permeated the vista; this place wouldn’t suffer fools and wasn’t for the changing. 
As we stepped off the plane the warm air offered a pungent peppery aroma akin to rosemary and cat pee.
“That’s the ‘Maquis’. It’s a brush like heather and is the main vegetation of the Balagne. 
The Balagne is the name given to this northwest region of Corsica. The people of the Balange are 
fiercely protective of their land and its traditions and are regarded by many to represent the true nature 
of Corsicans; proud, belligerent and chauvinistic.”
Di had swallowed a guide book whole and couldn’t help but regurgitate. We dragged our luggage 
to the Avis Car Hire desk. This would give me a chance to practice my rusty French: 
Bonjour monsieur. Nous voudrons louer un voiture pour…
“Ay up mate” interrupted Avis Man “You’re from Yorkshire, non?”
How had my northern roots been identified from my fumbling French? Avis Man introduced himself 
as “Tony from Sheffield, non”. He had joined the Foreign Legion here fifteen years previously 
“escaping a dodgy past, non”. The Legion’s legendary 2nd Foreign Parachute Regiment was based 
just outside of Calvi. He’d survived the whole experience intact. The only apparent damage was 
his insistence on putting a ‘non’ at the end of every English sentence. Was this negative twitch 
a result of sharing shower and shelter for a decade with a band of burly brothers deprived of 
female company? I kept that thought to myself. With his time served and his past forgotten 
Tony had fallen for a local girl and stayed on. Although we only ever saw him from the waist up, 
he became a firm friend and the first face we’d look for on future visits, always guaranteeing 
air conditioning and an upgrade.
Our second encounter was another face that would become familiar to us.
“You are for ‘La Signoria?” A heavy hand was on my shoulder. A mess of black buccaneer 
hair fringed a thick mono brow that strained to support the weight of the magnificently 
meandering nose beneath. An unkempt beard split into a kindly smile. A Moor’s head tattoo 
on his forearm revealed the man to be Corsican, a ‘Corsican Places’ badge revealed him to be Max, 
the local travel rep.
“Welcome to La Corse, my island. An island oui and remember, not France.” Did he really spit? 
“I will take you to your hotel. I think you must be ready for a little luxury, non?”

Tuesday, 6 December 2011

The Limbo Diaries. 3 (Lucky Limbo)

1/2/06

TJ: Pull up outside the studio to be confronted by Marcus's elderly neighbour: "Hope you don't mind me asking, but is Jimmy Young your dad?" That's a question you'll only ever get asked once! I tell him that my Dad's name is Terry. He persists "I know you work with Marcus, and it's something I've always wanted to ask you". I beat a bewildered retreat, and Marcus deciphers: it seems that I've been mistaken for Paul Young (who Marcus is producing some songs for) whose Dad is definitely not Jimmy Young. Decide to cease wearing stone wash jeans, and to stop sporting 'big hair'!
Marcus plays me what he's arranged for 'All the Way to London'. He described it down the phone to me as "Buggles meets Blue Nile" so I wasn't too sure what to expect. It's great; all telephonic voices and gated guitars, in fact...a pop song! We agree on a Busby Berkley 'spinning dwarves' section for the video and move on.
I lay down a guide guitar for a lullaby that is now called 'Lucky Limbo'. Only when I sing it do I realise that we've done it in the wrong key...we stick with it, though it's now more Tiny Tim than Leonard Cohen!
Rant at a Parking Warden who tickets Marcus for daring to park outside his own house, then off for the first curry of the album. Back to Marcus's for the first bottle of red of the album, which helps to dull the senses as Man Utd get tonked by Blackburn, then Marcus introduces me to the joys of Kant, Bertrand Russell and  'The Mighty Boosh'! Time for bed Zebedee. (I'm in Rebecca's room again, reminds me of the Kop chant "He's long, he's red his feet stick out of bed, Peter Crouch.")

MC: Guitar and voice recorded as above, a good productive day. 
Great curry, even better wine!!! 
Went to bed a happy bunny.


Monday, 5 December 2011

Norbury Brook gets Carpet...

Marcus has started with the interior design now.
Notice the casual placement of his green 'love eggs' and what looks like a used tissue...
"Not a black polo neck in sight" he sniffs.
Sure, the clinical MFI look has gone and there's now an exotic yet homely whiff of Marrakech and petunia oil in the air, but the dust mites have got my nostrils twitching from a distance of 32 miles.
Meanwhile The Scientist is currently scouring eBay for "chandeliers or a lava lamp..."

Sunday, 4 December 2011

Hopeland (Notes from Corsica) 2. Abide

Abide

Abide, a strong word with a true meaning.
Be.
Live.
Endure.
Endurance was never one of my strong suits. I’d always craved more than the ‘making do’. 
I needed to find the best view of the finest sunset and then share it with someone. No selfless act, 
more a need to have a ‘moment’ endorsed. The pleasure would be in the sharing.
My childhood was transient, always movement, activity, fresh pasture, and new challenge. 
I developed the outgoing nature of a vagrant. I could hang my boots anywhere but nowhere was ‘home’. 
Later, the discipline of a boarding school would redefine the broad and delicate vagaries of character; 
survival was paramount and a uniformed thick skin the perfect cover. I could punch my way out of a 
corner and kick a ball further than most. If I could tolerate, I would be tolerated.
After the routine and discipline of a grammar school education, college offered too many freedoms. 
I forwent study to pogo with punks. Music became my meat. Drink became my drink. I bought a guitar. 
I talked other feckless fools into joining me and I had a band. My future was defined: I was lost to music. 
I developed an insatiable appetite for sad songs, melancholy my thing. I needed to be moved. I needed to understand why I was moved. As I began to decipher the language of loss I started to write my own songs. Things didn’t begin well. My first ditty went by the title of ‘I Think I’m Going to Kill Myself’. 
The title was the best bit. Gradually I honed my craft and learned to love creating something from nothing. Having an untidy mind I soon came to realise that by mining my memories and placing them in song 
I could put my past in order, even edit out unsavoury moments. I found myself. I reinvented myself, 
polished my little gems of self-indulgence and waited for the world to beat a path to my door. 
Thirty years and a hundred songs later I was still waiting. 
As I recognised the limits of my talent, a malaise, a diffident need to be elsewhere, overcame me.
I needed to be anywhere but here.

Saturday, 3 December 2011

Toronto Tim Says: Have A Listen - Bruce Cockburn


Every so often I'll be turning these pages over to my mate Tim Patrick from Toronto (seen left with his beloved Myrna). Tim loves his cultural life and seems happy to wander through its backroads with any obliging enthusiast. I must warn you; this man could chat for Canada; his emails often keep me sated from breakfast to bed (now there's a line). He seems to have reigned himself in somewhat for this focussed piece on Bruce Cockburn but I'm sure that once he's settled in to his chair he'll wax long and lyrical, a good thing. 
Brace yourselves folks: here comes Tim...


Toronto Tim Says: Have A Listen - Bruce Cockburn


I've been listening to singer/songwriter Bruce Cockburn (a fellow Canadian) for over 40 years, since I was a young teen, and I guess cliche as it may sound, his music has been the soundtrack to my life. I can't say that he has always been my favorite artist, as I've been rather musically  promiscuous over the years... more of an unassuming musical companion on the journey. 
From the late 60's guileless, hippy folk of "Going To The Country", through the 70's explorations of reggae, jazz, and various forms of world music often with spiritual wanderings, most notably, the catchy "Wondering Where The Lions Are". Then a radical departure in the 80's with vitriolic, politically motivated rock like "If  I Had A Rocket Launcher", the raging "They Call It Democracy" and the memorable "Lovers In A Dangerous Time". However, those tracks were often balanced with quieter, pretty moments. 
The 90's found his music turning inward to American folk and blues, working with T-Bone  Burnett, Booker T Jones, Jackson Browne, Emmylou Harris, Ani DiFranco and many others for a couple of solid, excellent albums "Nothing But A Burning Light", "Dart To The Heart" then "Charity Of Night"... and a few of my personal favorite tunes, "Child of The Wind", "Closer To The Light" and "Pacing The Cage". The ensuing years have been a eclectic stew of genres and instrumental excursions. As always, some successful others less so, but always nuggets to be found. May be running out of gas, but hell he's 66 years old! 
I've just realized that I've seen Bruce in concert 5 or 6 times, more than any other artist, and each one was a remarkable experience. Not that Springsteen (the 'other' Bruce) vibe, but a warm connection with a small, fiercely loyal audience that truly appreciates a National Canadian treasure. Wonderful sense of humor as well... Often ends encores with Python's cheery "Always Look On The Bright Side Of life", or one of his own dark and witty self-penned ditties about the numerous ways of... getting killed. Something I failed to mention is his masterful musicianship... one of the best guitarists around. He has a unique, intricate finger-picking method that is a joy to behold, and greatly admired by other players.
Bruce Cockburn is an uncompromising individualist who has never been one to cater to anyone's expectations. He is simply who he is: a compassionate, introspective, opinionated, shy, pacifistic, gun-loving, horse-riding, restless, skeptical, spiritual mystic who enjoys worldly vices; a complex bundle of contradictions, and the creator of some of the most thoughtful, challenging and lovely music I've ever heard.  
Enough of my mumbling... 
The music speaks for itself.
Have A Listen!


"SUNSET IS AN ANGEL WEEPING
HOLDING OUT A BLOODY SWORD
NO MATTER HOW I SQUINT I CANNOT
MAKE OUT WHAT IT'S POINTING TOWARD
SOMETIMES YOU FEEL LIKE YOU'VE LIVED TOO LONG
DAYS DRIP SLOWLY ON THE PAGE
YOU CATCH YOURSELF
PACING THE CAGE
SOMETIMES THE BEST MAP WILL NOT GUIDE YOU
YOU CAN'T SEE WHAT'S ROUND THE BEND
SOMETIMES THE ROAD LEADS THROUGH DARK PLACES
SOMETIMES THE DARKNESS IS YOUR FRIEND
TODAY THESE EYES SCAN BLEACHED OUT LAND
FOR THE COMING OF THE OUTBOUND STAGE
PACING THE CAGE"


 

Friday, 2 December 2011

The Limbo Diaries. 2

27/1/06

TJ: I record the basic guide guitar for 'All the Way to London' and 'Papillon'.  'All the Way to London' is a song that I've had for a while, intended as a jangly beast, but slowed down to a quiet beauty. It has a very open arrangement, so could go anywhere. The lyric was started almost twenty years ago, but still resonates in my little world. Who said "the more things change, the more they stay the same"?
'Papillon' is the first and last MM song in which I sing in French! Unusually direct for me, it is, I guess, a love song. I like playing it to Di as she can't get through it without pulling her 'ugly' crying face, and blowing snot; should be a real high point if you see her at a gig!
We do our usual 3 vocals and comp', then Marcus starts a tinkering. 
As I leave for home he's fighting with a sample called 'Scrambled Monks'! 
Hold on to your habits!


MC: 'All the Way to London' got under my skin that day, so I spent the next week working on it. For some reason I ended up going down quite a synth based path, then into a mad heavy bridge with gated 'metal guitars' . I had prepared Trev to expect something 'a bit different', but was still a little apprehensive when I pressed ‘play’. Fortunately, after a couple of listens, Trev gave it the thumbs up. He had a few ideas regarding the arrangement and the voice effect, and after some experimentation we ended up with a great track; a pop record indeed!


Thursday, 1 December 2011

Ghost of Song







A Special Offer for the new Jones album Ghost of Song

Order any Miracle Mile or Jones album before 31/12/11 and
you will get a free copy of 'Ghost of Song'.

This means that you could get 2 copies of the new album for £10; one for you and one as a Xmas present for that special friend...
Simply order any album from the Pay Pal 'Shop' at www.miraclemile.co.uk 
Any orders received in 2011 will get a free copy of 'Ghost of Song'.
Please note that there is no Pay Pal button for this album. 
If you want 'Ghost of Song' only, simply email me here and I'll invoice you direct.





** Before buying, please note that these are songs that have already featured on 'Hopeland' and 'Keepers'.



Again, please note that these songs have already featured on 'Hopeland' and 'Keepers'.

Why? I hear you ask.
These songs are already on ‘Hopeland’ and ‘Keepers’; they’re not re-mixed so, why the re-jig?
The two albums didn't seem to connect, I think that maybe the spoken word stuff put folk off; yet when I listened back to the albums I recognised that some of the songs are good and needed to be heard; I know that they haven’t; I’ve seen the sales returns…
This is a way of re-presenting a selection of the songs in a different light: 
The original idea came from The Scientist: Marcus is getting into vinyl and was raving about the fact that he's actually listening to music again; the process of placing needle to record makes him commit to the moment and see it through. 
So we addressed the idea of releasing the selection as vinyl. 
The production turned out too expensive unfortunately but I kept the idea of the collection and applied it to the songs; 
I chose 10 tracks from Hopeland and Keepers for 'Ghost of Song' in an attempt to create an old fashioned 'bedsit' kind of album that folk might learn to love to live with.  
I wanted 'Ghost..' to affect folk and endure in the same way some of my old favourites have stuck with me (Blue/After the Goldrush/Hunky Dory/Steve McQueen etc) and so I picked songs that had a certain warm yet woozy feel to them; this meant precluding some favourites that didn't quite sit or fit with the sonic idea... I also hope that it leads folk to the original Jones albums and helps shed some light on the forthcoming Miracle Mile album 'In Cassidy's Care' due out in the summer of 2012.


Lovesong: (Waiting for You and) England to Return by Stackridge

Stackridge were a boarding school favourite in my dorm'; 'Man in a Bowler Hat' blasted out most mornings.
They offered 'Englishness' amongst a foreign sea of rootless prog rock and Americana, singing about cups of tea, ploughs and 'Friendliness'; there was something comfortable about them that salved our homesick brows.
I was reminded of this quality this morning by Phil Duncan (a MM mate) who sent me this YouTube link. My dad Terry was in the RAF so it resonated.
The song is taken from the band's comeback album of a couple of years ago 'A Victory For Common Sense'. Sure, it's old school and not going to turn any heads; it's also quite lovely and the primitive animation strangely moving.

Wednesday, 30 November 2011

Mighbrow: The Swimmer

There's a wonderful book, 'Waterlog' by Roger Deakin where, inspired by John Cheever's short story 'The Swimmer', Deakin sets off on an adventure to swim across Britain. His plan was to swim rivers, dykes, lakes and tarns, even caves and whirlpools; and to engage in a whole range of 'Wild Swimming' experiences. He encounters much resistance; but asks: ramblers have rights; why not swimmers? 




To quote the book's cover, it is indeed a "delicious, cleansing, funny, wise and joyful book, so wonderfully full of energy and life." 
Deakin is eccentric but a real enthusiast and that energy is infectious. He's no longer with us but his writings remain to help lead us back to the joys of nature. 
Read also: 'Wildwood' and 'Notes from Walnut Tree Farm'.
I think that we've all experienced and acknowledged the restorative benefits to be taken from immersing ourselves in water. The wilder the setting and the more we expose ourselves, the more intoxicating the effect. I've taken many a knacker shriveling swim in rivers and rock pools in the Corsican mountains and then later made it back to the beach for a sunset swim in the day warm sea. 
I'm always left feeling reinvigorated, exuberant; refreshed and ready for the next adventure.

The Swimmer

The swimmer leaves the shore
To test his mortality

He is the sole, vital engine
His actions keep him alive
The alternative is unthinkable
But possible

His discomfort is self-imposed
A discipline to ward off
That prize possession of middle age
Contentment

I shrink against the cold
Eyes sting
I do this to myself
Float then move my arms
Against the indifferent current

There is no disappointment
In the primitive simplicity of this moment
I must move to survive
And that begs the question
Do I need my life?

No wiser, but replenished, reassured
I turn my back to the kindling sun
And reach for the uncertain shore

Tuesday, 29 November 2011

Hopeland (Notes from Corsica) 1

OK, so I'm trawling the back pages, but judging from the sales of 'Hopeland' and 'Keepers' this is probably new to a lot of folk.
I'm about to release 'Ghost of Song', an album of selected songs from those two albums, an attempt to kindle some interest in the material; I'd hate for it to be buried. 
Rereading these notes from the island I can see that I do come over a bit earnest but I think that was a reaction to the austere beauty of the place; I hope that you'll indulge my affectation. I'll try and sneak in a few jokes just to lighten things up a bit; see if you can spot them.
There'll be the odd download also.
So, here's a reminder of the stories behind 'Hopeland' and 'Keepers', my 'Notes from Corsica':








           Hopeland

 “In short withdrawals from the world there is to be had unfailing refreshment. 
When his spirit is burdened or lightened, the natural movement of a man’s heart is to lift upward, 
and this is more readily done in the wild, for there it is easy to be still.”
W. H. Murray

There is a house on a hill that sits beneath a mountain that overlooks the sea. 
This past year I retreated there, more in hope than expectation. The hope was that I could integrate 
with an environment, have a daily purpose, however mundane, and to somehow reflect that in my writing.
The ripe confusions of London had rendered me emotionally barren; I needed to connect with 
something real, something fine. I wanted to tell the story of how I came to be there. 
Unburdened, I started to write:

I see a blue tractor, my first memory.
Then blue sea, white dog, a red sand filled bucket.
Now I have the taste of metal in my mouth.
Why is that memory tainted with sadness?
There’s my mother in a headscarf, wiping ice cream from Gareth’s mouth. 
Dad is doing the same for Katy who is too young to do anything but gurgle up at us from her pram.
‘The dog went to you, not to me” Kerry jabs her finger at me accusingly and my knees start to sing.
I look down and they are covered in red magic.
I turn to face the wind and, opening my mouth, taste the sea.

                                                ***

This is no autobiography or travelogue, just the story of what happened to Di and I and how it changed 
our view of the world where a life touched a life and then took on a life of its own.
They say that stories only happen to those who can tell them.
It seems to me that if we want our stories to endure they must be well crafted and durable. 
For any songwriter there is a peculiar endevour involved in committing words to song, and then in the  recording of that song. This labour can do nothing but alter the initial perception or idea. The joy of committing words to a page is that you can narrow the distance between the seeing and the writing. 
You can better capture the vividity of a feeling without memory’s intrusion. Writing is something out of nothing; now when I have nothing to say, I watch and I listen. There’s an undercurrent of meaning to everything; you could call it ‘sadness’ or find brightness there, depending on your disposition 
or how sharp your eye is.
Here in Corsica time moves so slowly that I can see the changes, and ask ‘what is the difference?’
Here, atop the mountain I have become less desperate for certainty and more open to possibility.
I have real thirst, real hunger.
I taste the water.
I taste my food.
I hear the music.
I sleep on books.
There is time enough for tomorrow.