I watched Elvis Costello's excellent 'Spectacles' show last night featuring Ray LaMontagne, Lyle Lovett and John Prine. Prine sang a song 'Lake Marie' which was pretty amazing. It had a narrative that flitted between mythology and mundanity; murder and sausages... all of which added to give the song a strange potency.
Although I have what is probably the best Prine Anthology 'Great Days', it didn't contain the song; the only recorded versions I could find were from 'Lost Dogs and Mixed Blessings' and 'Live on Tour'; both band versions which are great but don't have the same kick as when he sings it solo.
This first take is the 'smallest' version I could find (from a while back), and man, it's sizzling...
Beneath it I've posted the three songs from the 'Spectacles' show.
Prine is heartbreakingly decrepit but nails the song (even if his guitar seems to have been tuned by me).
If you only have time for one song, please listen to that version (2nd one down).
Great turns too from Lyle Lovett and grumpy Ray ("I love mankind, I just hate assholes") LaMontagne...
Friday, 17 February 2012
Thursday, 16 February 2012
My Top 5: David Ashley (Friend of Rachel Worth)
Toronto Tim issued a challenge:
Name your top 5 Miracle Mile/Jones songs.
David Ashley is a long time Miracle Mile 'friend' and runs his own fine site, Cathedrals of Sound.
He describes himself as: "a 40 something with a soft spot for pop songs with jangly guitars and pretentious lyrics."
Why not contact him at: cathedralsofsound@hotmail.com
DAVID (Friend Of Rachel Worth) - Top 5 MM/Jones Songs:
- WALKING JOHN WAYNE - because this song followed me and my future wife as we drove from San Francisco to Los Angeles, and like all the best songs manages to sound effortless.
- MILK MOUSTACHE - because of the slightly off kilter Penguin Cafe Orchestra backing.
- LIGHTS OF HOME - because I'm a sucker for songs with 'home' in the title and this is somehow hopeful, nostalgic, regretful and peaceful all wrapped up in 4 mins.
- GHOSTWRITTEN - because it is the perfect tribute to a singer and the joy of inspiration.
- WHAT KATE DID NEXT - because it is a great pop song.
- BODY 19 - okay it is 6 but I do like songs about other artists and the 'ba da ba bas' do me every time.
- HOPELAND - just realized I've completely ignored the 2 Jones LPs!!!
Will have to add in 'Hopeland' because it is simply a classy song!
Labels:
Hopeland,
Jones,
Keepers,
Miracle Mile,
My Top 5,
Toronto Tim Says
Wednesday, 15 February 2012
Mr Cliffe's Right Hand: 'Goodbye': Steve Earle
Marcus has played with many fine folk and I'm going to post some of his finest moments here (and one or two that he'd might want to keep quiet about).
This seems timely seeing as I featured Steve Earle yesterday; here's a fungus faced Marcus playing upright bass with Mr Earle, Emmylou Harris and Daniel Lanois on Jools Holland's 'Later' show.
The other hired hand (on dobro) is the talented Matt Backer, a good mate of Marcus and myself, who we're hoping will guest on the new MM album.
Here they tackle Earle's exquisite song, 'Goodbye'.
Marcus remembers the session well:
"I remember getting the call from Steve’s management wanting some sort of reference to get me the gig. I gave them the names of the session musicians in Nashville I’d worked with, mainly pedal steel supremo Paul Franklin. Pauls’ recommendation was all that was required for me to get the gig.
Steve turned up at Nomis studio’s in Shepherds Bush like a whirlwind, a man obviously running on Duracell batteries. Without further ado his tech/manager handed him his guitar and off we launched into the first of half a dozen songs from his new acoustic CD.
Everything sounded fine by Steve so after a couple of hours the whirlwind left in the manner in which he’d arrived. Matt (Backer) and I finally exhaled.
I think we did a small gig somewhere the day after, I can’t remember exactly but the day after that we arrived at BBC Wood Lane to do 'Later with Jools Holland'. The day started as normal; we set up; hung around a lot; did a few camera/sound rehearsals; everything as normal. Then Emmylou and Daniel (Lanios) turned up, they were on the same show. It became apparent very quickly that Steve and Emmylou were good friends and, more to the point, Steve had written a track on her latest album.By this time it was the end of the day and we were getting ready to record the show live, I was just putting on my frock for the evening’s performance and Steve came in and said ‘we’re going to do a song with Emmylou and Daniel’, so with 5 minutes to spare before the show I found myself in the corridor with Steve and Emmy Lou learning ‘Goodbye’"
Tuesday, 14 February 2012
Lovesong: Valentine's Day
This is a pretty obvious post but I looked on my ipod for the best song I had entitled 'Valentine's Day'. Seeing as everything has been rendered soulless by the commerciality of the day (humbug) I thought that I'd look for something that was a little rough around the edges; it was a toss up between Bruce Springsteen (because I couldn't find a video of Hem's brilliant version of his song) or Steve Earle's raggedy beauty with the Fairfield Four groaning away in the background...
I couldn't decide so here are both versions...
I couldn't decide so here are both versions...
Slide Show: Jon Gomm: Passionflower
Ok, I know it's not slide but it's pretty dexterously impressive.
Stick with it; as it all starts a bit billy big bollocks & bravado, but becomes quite lovely.
Thanks to Phil Hogarth for bringing my attention to it...
Stick with it; as it all starts a bit billy big bollocks & bravado, but becomes quite lovely.
Thanks to Phil Hogarth for bringing my attention to it...
Monday, 13 February 2012
My Top 5: Barry Cross
Barry Cross is an important figure in the world of MM; he first came to my attention when a copy of 'Tune In' dropped through my letter box. 'Tune In' was a Miracle Mile fanzine lovingly compiled by someone who seemed to know more about Marcus and I than... Marcus and I did.It turned out that Barry was a talented designer with his own company 'Hot Cross Design'.
Now, most struggling musicians will tell you that the likes of Barry, a functional fan, are a godsend.
If only he wrote for Mojo and ran Radio 2... Barry went on to do much art work for us: the 'Glow' diary; numerous ads and press releases and the covers for both 'Hopeland' and 'Keepers'.
But Bazza's influence has extended far beyond functionality for both Marcus and I; he's become a close personal friend; loyal as they come. He got Marcus and I together on stage to play at his 50th birthday party and invaded the stage (with Rob, his own personal sax player) with the confession that he'd been taking drum lessons specially for this moment, and instructed us to play his then favourite MM song 'Morecambe and Wise'. This song was pre-Marcus and I have to confess that I hadn't heard (or thought of) the song in over 10 years. Undaunted, Barry insisted and we gave it a... bash; 'bash' being the operative word, as Barry's drumming was a bit more 'John Bonham' than the delicate shuffle required; there was a classic moment' a colossal kerfuffle when we thought he'd fallen from his drum riser... he was actually attempting a Phil Collinesque drum fill (think 'man in gorilla suit'). On record that drum fill leads into a sax solo and Barry's afore mentioned appendage, Rob, had been diligently practicing along to the record. Now, the recording's in the key of D; we were strumming in C (no 'black notes' for Marcus on the piano) and that solo (16 bars played in full) was more 'jazz' than anything MM have played before or since.
Barry has sold the drums and is currently working on the design for the next Miracle Mile album. Knowing Barry he's conscientiously compiling a dozen options so that we get exactly what we need.
Write to Barry here; you're bound to get one of his brilliant calendars and an enthusiastic reply.
God Bless Bazza.
Barry Cross's Miracle Mile Top 5
It was minus thirteen in my home village last night and the shower has frozen up, it's therefore apt that - in an effort to compile my Miracle Mile Top 5, I'm currently listening to Alaska. Alaska was the first Miracle Mile album I listened to. I bought it at HMV in Oxford on a Saturday afternoon sometime in 2003. It was probably August or September - my record buying memory isn't what it was. Sting signed my copy of Message In A Bottle on Saturday 15th September 1979 at about half past three in Oxford's Music Market - an independent music chain that is no more. It was on green vinyl. There was no instore signing for the Miracle Mile purchase so although more recent, the memory hasn't cut quite so deep. I'd heard the name Miracle Mile previously as I was a massive fan of Haircut One Hundred and since they split, names of various band members kept cropping up in connection with that of Miracle Mile. I'd seen small adverts in the back classified section of Q magazine for Miracle Mile albums, but could never be bothered to actually mail order them, this was the first time I'd seen any of their albums in store, and my purchase was impulsive. I still have those Q adverts, in fact I still have every issue of Q magazine since it launched in 1986 - I'm beginning to see them as a potential pension fund. And so, from my first Miracle Mile album Alaska, comes the first of my top 5...
Weatherwise
Weatherwise instantly became one of my favourite tracks on Alaska. From the enticing bar chimes and Marcus's teasing upright bass this track is a thrill a minute, well 5 minutes 24 seconds to be exact! Sometimes it's better not to know the meaning behind a song, you can make up your own story, paint your own pictures, but these words have always resonated and to me it's about finding hope in the smallest of things; maybe even in a tune. It's a melody laden tour de force on which I've always thought Trevor sounds like early David Bowie on the 'there he goes, twinkle toes, you should know...' line. That's a compliment. A hammond organ creeps up in the middle of the song and gives it a gentle hug, only to release a more forceful slap in the face just after 3 minutes - see if you can spot it.
From here, the only way to get more of the Miracle Mile back catalogue was to contact Mr Jones himself. I ordered my CDs with an accompanying letter of appreciation (I became a groupie). He replied, I replied, and it turned out - in the worldwide scheme of things, he 'lived up the road'. We discovered we had similar record collections, a shared obsession in the detail, and the same birthday! Trevor has enjoyed exactly one year more on this fine planet than me but, with the possible exception of The Beatles first Hamburg gigs in August 1960, I didn't miss much. We share cultural, musical and childhood references, in essence, we know the same shit.
Baby's In The House
To steal a Nick Lowe album title, this is Pure Pop for Now People! There's a touch of Elvis Costello in this song, Miracle Mile rock the house and this was an immediate favourite on hearing the album Glow. From the onset of crashing chords and opening lines; 'I've counted the stars in the sky, I've counted the fish in the sea, counted the tears in your eye, tho not one of them was for me' this is a classic.
The hammond sneaks up, Danny Cummings expressive percussion takes us to the glorious middle eight which then explodes to the instrumental break where the hammond conquers the pedal steel for superiority. I'd always anticipated a blistering guitar solo at that point, and apparently it was left on the cutting room floor. We can only look forward to hearing it reinstated on CD2 of the 10th anniversary reissue. Note to the boys for the new album; solos are cool again!
Step By Step
This song finds its way into the top five courtesy of Marcus's dancing bassline and a perfect example of the importance of BJ Cole in the MM sound. I know Trevor doesn't like too many overdubs or backing vocals on the songs, but when they are used - as here, they use them to great effect. Marcus also produces a wonderful arrangement that coaxes you from the gorgeous middle eight - 'god bless this road of broken dreams', into the final exultant chorus. It's contemplative and optimistic, how can you ignore lyrics that reference the band name! How many other bands have referenced their own name in a song? Answers on a postcard geeks!
Bluer Skies Than This
Although I had dabbled with a few bits of artwork for Trevor over the years, Hopeland was the first time I was given the complete album to put my artistic stamp on. Consequently, it's close to my heart and my top five has to include a track from this Jones debut. The title track would have been the obvious choice with the passionate 'I just want to give you something to remember me by' line, but I've chosen 'Bluer Skies...'. Blue skies are a recurring theme in Trevor's songs, and I guess we all look for a glimpse of a blue sky in our often grey world. Despite my earlier observation, knowing the story behind these words has made them all the more poignant for me. I love the piano sound on this, like it's in the next room (also used to great effect on My Bourbon Sky) and the simple yet seductive percussion.
Morecambe and Wise
I've mentioned how Trev and myself are roughly the same age and have therefore experienced the same cultural references. Morecombe and Wise is a case in point. Not only does this song evoke memories of the brilliant comedy duo themselves, but it can't help but trigger memories of childhood christmases laughing with the aunts and uncles of a greater generation who are now 'gone with the ghost of...'
I have a plan to make an accompanying video for this song and get it some long overdue youtube exposure, it does indeed, bring me sunshine.
I had the pleasure of Trevor and Marcus playing a set at my 50th birthday and this was the one song I insisted they play. The duo was augmented by myself on drums and my mate Rob on sax for a unique and unrepeatable version. Legend will decree whether our performance did the original justice, but I would like to think it was at the very least, 'special'!
Any chart worth it's weight will always have a 'bubbling under' section. My bubbling under section includes - and I can't believe they're not the top five; Under My Tongue, Malkovich (Anywhere But Here), Sugar and Spite, All The Way To London and Walking John Wayne.
Ask me again tomorrow and my top 5 will undoubtably be different, so what do I glean from compiling this list?
Here's the Top 5 conclusions to my Miracle Mile Top 5;
1. Trevor Jones can knock out a decent tune.
2. A little bit of hammond goes a long way.
3. Miracle Mile are just as much part of the soundtrack to my life as Slade, 10cc, U2, The Blue Nile and Sufjan Stevens.
4. A new Miracle Mile album is long overdue.
5. The weight of 308 Q magazines almost certainly exceeds the weight limit of my loft.
Keep walking that miracle mile.
Labels:
Hopeland,
Jones,
Keepers,
Miracle Mile,
My Top 5,
Toronto Tim Says
Sunday, 12 February 2012
My Top 5: Eric (from Canada)
Here's Eric (from Canada) seen right, mustachioed and spinning discs with Toronto Tim...
I found this to be a real challenge. It was extremely difficult to only select five songs without feeling like I am somehow degrading the others.
This is simply not true!
There are so many songs I would like to put on the list, but since I am limited I will attempt to comply.
In no particular order here are my favorites:
There are so many songs I would like to put on the list, but since I am limited I will attempt to comply.
In no particular order here are my favorites:
Anyone counting?
- The Dust Will Shape Your Sins
- Lights Of Home
- Five Points Of Light
- Falling Man
- Hopeland
- To Tell You The Truth
- Papillon
Labels:
Hopeland,
Jones,
Keepers,
Miracle Mile,
My Top 5,
Toronto Tim Says
Saturday, 11 February 2012
Toronto Tim Says: My Top 5 Miracle Mile/Jones Songs: What Are Yours?
"A friend is someone who knows the song in your heart and can sing it back to you when you have forgotten the words." (CS Lewis)
End of year "Best Of" lists, and then "Hi-Fidelity" pops up on TV the other night... I fear that I'm temporarily sucked into the cult of the record geek again. Watching the movie "Hi-Fidelity" reminded me that there is still a whole society of equally obsessed folk, who are compulsive about making lists, compilation discs, record collection organization, etc. There is a priceless scene deleted from the film (in DVD special features) where Rob Gordon is interviewed for an article by a music journalist and is asked, "What are your "Top 5 Songs Ever?" He hesitates, then comes up with 5,6,7,8... Presumably he makes corrections. He then goes home and is distraught upon realizing his erroneous choices and comes up with an entirely different list! Frantically, he phones the reviewer, "Sorry to keep bothering you, but here's my new Top 5... shit that's 6, isn't it? Can I get back to you?" And so on and on. Wish it made final cut, since it's so absurd yet utterly believable!
"What are your Top 5 Miracle Mile/Jones songs?"... I asked my buddy Eric (another fan), in a recent conversation... and the can of worms was opened for the topic of my next blurb!
Please humour me as I get this out of my system.
I'm preaching to the choir here, we've all experienced the "connection"; so I won't gush on too much since other reviewers have said it all before, much better than I ever could.
I'll simply say that Alaska, Limbo and Hopeland have easily been made welcome into my Top 10 Albums of all time list, with Keepers and Glow punching to get in. Also, I think it's interesting that almost every time MM is played in my car there is an unprovoked curiosity by passengers as to whose CD is playing. Usually followed by "It's beautiful..."
My list is much less quirky than I expected. I think in the end, influenced by the poignant conclusion of Hi-Fidelity, my choices were perhaps nudged towards songs that make my better-half smile and sing along, so maybe this is a bit of a 'we' effort... a good thing.
HERE'S MY LIST:
"WALKING JOHN WAYNE" - This was the charming tune that I stumbled across many years ago on the "Rainsound" web-site that aroused my interest in Miracle Mile. Not only a sentimental favorite, a genuine joy to listen to after all these years! Wish the guitar outro would go on forever!
"PAPILLON" - A wonderful unambiguous love song! Sing along... nothing wrong with being a sentimental fool!
End of year "Best Of" lists, and then "Hi-Fidelity" pops up on TV the other night... I fear that I'm temporarily sucked into the cult of the record geek again. Watching the movie "Hi-Fidelity" reminded me that there is still a whole society of equally obsessed folk, who are compulsive about making lists, compilation discs, record collection organization, etc. There is a priceless scene deleted from the film (in DVD special features) where Rob Gordon is interviewed for an article by a music journalist and is asked, "What are your "Top 5 Songs Ever?" He hesitates, then comes up with 5,6,7,8... Presumably he makes corrections. He then goes home and is distraught upon realizing his erroneous choices and comes up with an entirely different list! Frantically, he phones the reviewer, "Sorry to keep bothering you, but here's my new Top 5... shit that's 6, isn't it? Can I get back to you?" And so on and on. Wish it made final cut, since it's so absurd yet utterly believable!
"What are your Top 5 Miracle Mile/Jones songs?"... I asked my buddy Eric (another fan), in a recent conversation... and the can of worms was opened for the topic of my next blurb!
Please humour me as I get this out of my system.
I'm preaching to the choir here, we've all experienced the "connection"; so I won't gush on too much since other reviewers have said it all before, much better than I ever could.
I'll simply say that Alaska, Limbo and Hopeland have easily been made welcome into my Top 10 Albums of all time list, with Keepers and Glow punching to get in. Also, I think it's interesting that almost every time MM is played in my car there is an unprovoked curiosity by passengers as to whose CD is playing. Usually followed by "It's beautiful..."
My list is much less quirky than I expected. I think in the end, influenced by the poignant conclusion of Hi-Fidelity, my choices were perhaps nudged towards songs that make my better-half smile and sing along, so maybe this is a bit of a 'we' effort... a good thing.
HERE'S MY LIST:
"WALKING JOHN WAYNE" - This was the charming tune that I stumbled across many years ago on the "Rainsound" web-site that aroused my interest in Miracle Mile. Not only a sentimental favorite, a genuine joy to listen to after all these years! Wish the guitar outro would go on forever!
"ALASKA" - For years I was teased by Amazon's 30 second samples, those glimmers of beauty sent me on a fruitless search, combing through countless record shop bins here in America to find anything by the elusive Miracle Mile. This frustrating hunt was the catalyst that eventually launched my long-delayed plunge into on-line purchasing, ultimately a very wise decision! When I finally heard "Alaska" in all it's breath-taking glory I was speechless. The icy textures of the intro, blending seamlessly into a warm guitar figure, then enter the soothing golden vocals united with a profoundly affecting and enigmatic lyric... nothing like it! I've heard it hundreds of times, yet never tire of this haunting masterpiece. "Northern Sky" by Nick Drake was my long-standing favorite song of all time, but I think Alaska has eclipsed it!
"HOPELAND" - This one is special. My wife was going through the horror of cancer surgery/treatment when Hopeland was released. Shell-shocked, barely hanging on, faith in ruins, music was an abiding source of comfort. Hopeland was a lifeline. I still have the lyrics posted on my bulletin board, a potent reminder... to hope. Is there a more heavenly song?
PS: My precious wife, is doing very well, defying the odds!
"WEATHERWISE" - How can anyone not love this one? Sunshine and smiles every listen. More hooks than a tackle box! Melvin Duffy's soaring solo gives me goose-bumps every time, and Rebecca's flawless cameo vocal is a gem. My gal's fave...
"PAPILLON" - A wonderful unambiguous love song! Sing along... nothing wrong with being a sentimental fool!
"BOO SAID" - Sweet melody, stunning imagery, cryptic and affecting lyric. I have no idea what this one's about... sometimes it's nice that a few dots aren't connected.
Shit... that's 6, isn't it? Ugh... I've still got another 57 favorites!!!
OK, there's mine... now show me yours!
Labels:
Hopeland,
Jones,
Keepers,
Miracle Mile,
My Top 5,
Toronto Tim Says
Friday, 10 February 2012
The Limbo Diaries. 15. 'Ghostwritten' (continued)
TJ: We plan to start ‘Ghostwritten’ today. Marcus was at my place last night. Hungover and (in my case) flued up, we drive in convoy to the studio. En route, doing about 90mph on the motorway, my rear tyre explodes. In a display of Mansellesque brilliance, I control the car and survive unscathed. Marcus changes my tyre. I watch. By the time we get to the studio I’ve lost my voice. Shock, hayfever or flu?
We start on ‘Ghostwritten’. The song was originally going to be a quiet piano thing. We decide that maybe it should be more ‘up’, more of a celebration. We try to use the feel of ‘Quiet Heart’ by the Go Betweens as the rhythmic template. It leads us elsewhere. I play some clipped, chuggy acoustic chords to shape the song. Marcus doubles this with a pumped bass, then adds a Hammond part to colour the chords. I jangle some telecaster chords, and work on a really simple pick that we then echo with a synth’ sound. The musical hook was to be played by a horn but we try it on guitar. I remember seeing Steve Earle play at the Town and Country Club in Kentish Town years ago, and how when he played ‘Guitar Town’, he had about eight different guitarists all playing the very simple main riff. It sounded fantastic! We try the same thing. It sounds fantastic! (I’ll let Marcus list, and spell, the guitars played) Marcus adds some tambourine, and I head off home, into the sunset, burning fresh rubber.
MC: Ah, waking up at chez Jones’ hungover, a now quite familiar feeling. As we were running a bit late I wasn’t hanging around as we sped down the A3 into London that morning. I was keeping an eye on Trev in my mirror as I take a different route so I didn’t want him to get lost. The large puff of blue smoke that emanated from the Mazda was quite spectacular and my first thought was ‘oh shit he’s blown his engine’. When we pulled over and I got out of the car I could smell burning rubber which was a relief. Changing the off side wheel at the side of a motorway is an experience I don’t want to repeat too often. Bending over with your arse poking into the nearside lane whilst trucks pass you by inches at 70 mph is a lesson in vulnerability.
Well we got to the studio in the end, and started ‘Ghost Written’. Once the drums were sorted I put down a bass part on my 1962 precision through the Meek VC1Q. The Hammond was added to give the song some harmonic base. The ensuing guitar fest’ included, Epiphone 335, De Almond Les Paul with P90’s, Fender Tele and Strat, all recorded through the Pod Xt pro. The tambourine part was quickly recorded with the vocal mic that was still on from earlier. Job done, another good day at the hit factory.
Trev is now departing for his holidays, little does he know I am plotting our first gig in his absence...
Wednesday, 8 February 2012
Mighbrow: He Could See Nothing But Shadows
There is a Portuguese word 'saudade' which is defined as 'a terrible yearning for a past that never existed.' Maybe nostalgia is really a yearning to reclaim lost lives or missed opportunities, hence our sentimental connection to the things that have shaped us or perhaps slipped away; our parents, our childhood, lost friends, music, books, TV and films of a particular era.
There is nothing quite as sweet as the grey warbling of a bird near extinction; we push things towards extinction, and, only when we're fearful of their loss, do we cherish them.
Why do we need to make totems of things rare when we should celebrate the common place?
There is nothing quite as sweet as the grey warbling of a bird near extinction; we push things towards extinction, and, only when we're fearful of their loss, do we cherish them.
Why do we need to make totems of things rare when we should celebrate the common place?
Corsica had gifted me a perfect day in the sun, now I needed to live beyond that day without
corrupting or resenting the memory of it.
But dark thoughts returned; when I should have been living in the moment I became wistful
about the past, and fearful of the future. I suspect that I was wrestling with the possibilities
of what was beyond that moment.
of what was beyond that moment.
And then, for my birthday, a friend offered up his house in Foz de Arelho on the Portuguese coast.
It was a beautiful location overlooking not just the sea but a fresh water lagoon; the perfect
place for taking long walks and clearing my head, which seemed to be permanently humming.
I took my small yellow note pad everywhere with me, feverishly making notes; and this piece came
from a trek around the lagoon. I'm not sure why I started writing about myself in the 3rd person; maybe
after the self regard of 'Hopeland' I was becoming a little tired of myself; maybe I was trying to distance
myself from me, me, me; surely that couldn't be me threatening the well being of an innocent dog...
He Could See Nothing But Shadows
He didn't know what he was doing.
There was a humming in his head.
There was a humming in his head.
Stepping out of the air-conditioned warmth he shuffled down wooden steps towards the lagoon.
The day was hazy and undefined, but surely beckoned.
Looking out to sea the only break in the silver canvas was a brown strip of sandbank.
He turned and headed upriver following a path until it left the water’s edge. There he stepped onto the sand, past a barking muzzled dog, past the vagrant fishing boats that hosted sleeping gulls. Bamboo and pine brush littered the shoreline; beneath his feet crackled a thousand broken shells, the corpses of crabs and inky cuttlefish were everywhere.
Out in the lagoon he could hear the idle chatter of fishermen digging for clams. They lent heavily on rakes, rocking like dancing bears as they dredged for bounty, sifting shells into floating baskets tied loosely to their torsos. They laughed easily, pausing occasionally to open a clam or two, tasting their catch, poverty’s fruit. As one worker broke into song a heron spread its wings to dry them and seemed to conduct the tuneless mantra.
The wrecks of small wooden boats lay strewn above the waterline like broken promises. A few could be repaired but would ever be sea safe again.
A toothless hag in a headscarf crouched upon an upturned wreck bellowing at a giant of a man who coiled a rope and smiled down at her affectionately.
‘This is what we gain when we learn to lose ourselves’ he thought, and wrote those words in a small yellow note pad before moving on.
A feeding fish broke the water nearby and gulls fell on the shadow. Other than the metallic whiff of seaweed the still air was odorless.
He climbed the pine steps of the sailing club where he’d been promised a bowl of coriander clams and a beer, but pressing his nose up against the window he could see nothing but shadows.
He sat on the top step gazing out across the pale gray and thought ‘if I just sit still for long enough something will happen’.
The heron had followed him and eyed him inquisitively from atop a broken flagpole.
The noise in his head suddenly stopped and there was a silence like he’d never heard before.
Behind him, a sharp bang. A smudge of blood and feathers stained the glass where he had previously pressed his nose. On the ground beneath was a brown bird. He looked down at the lifeless body and couldn’t give it a name. His temple twitched and the humming returned. He set off back towards town, in search of company.
This time as he passed the abandoned boats, they made him think not of broken promises but of forgotten dreams, before he realized that they were, of course, the same thing. He wrote this down and then winced at his dreary insight, ‘Bloody genius’.
The sun was at his back now and everything was so much clearer. Beyond his extended shadow he noticed that the only marks ahead were his own footprints outward bound. The prints he left now were those of a heavier man.
The singing fisherman was now aboard a small turquoise boat, the ‘Maria Alice’, diligently sorting his catch; mussels, clams, razor clams, smaller cockles and whelks. He stopped his song and turned, aware of another presence, maybe a customer. He reached into his muddy bucket offering a handful of shells, ‘Mariscos. Fresco. Saboroso. Quatro.’ he smiled and held up 4 fingers.
‘Please, yes, Obrigado’ he stammered and, reaching into his back pocket pulled out a crumpled 50. The fisherman’s eyes narrowed, he snorted and turned back to his sorting.
‘Always carry small change’ he thought, ‘you get to meet more interesting people that way’.
He stifled a yawn and felt a tightening in his chest. Stepping off the sand and back onto the path he slowly reached down to pick up a heavy piece of driftwood, holding it like a club. His back ached and the hum in his head was thunderous now.
“Fifty, a fifty, nothing but a fifty” he muttered as he moved towards the muzzled dog.
He raised the club above his head and held his breath.
Tuesday, 7 February 2012
The Limbo Diaries. 14. 'Ghostwritten'

11/05/06
After marinating in the music of Grant McLennan and the Go Betweens for a couple of days I sat down and wrote ‘Ghostwritten’. I’m in the studio tomorrow and this might be the last song we record for the album, which seems sadly appropriate.
I rarely write directly about other folk (far too self obsessed) but I’d forgotten quite how seminal the GB’s were. Along with Waits/Springsteen/The Smiths/Blue Nile/Paddy Mac’ etc, they shaped my post punk musical obsessions... became as influential as any in defining and refining my approach to writing. The legacy of any great artist remains intact and influential forever. We’re often guided by the hands of folk departed, and, while I’m not crediting Grant with a co-write here, he was definitely helping to shape the chords as I wrote. It’s not ‘about’ anything specific, a reflection on the joys and possibilities of song writing, the importance of inspiration and influence and, ultimately, as a recognition of a kindred spirit, a nod in his direction as he leaves the room.
Lyrically it might be a bit sweet for some.
Apologies.
I did try to sharpen it with some vinegar, but it didn’t seem right.
Where’s Robert Forster when you need him?
Ghostwritten
Now I won’t go to sleep without your sweet lullaby
I might fall in too deep and maybe catch the devil’s eye
Keep your elbows in the breeze and run
Dream about tomorrow when it’s over
I also ran, a dream’s a plan if there is gold in wonder
I sing because I do, because I can
Because the ghost of a better tune
Has got me grinning like a loon
And you sleep with a song and you dream as you depart
But I won’t call you ‘gone’, little man with a quiet heart
Keep your elbows in the breeze my son
Dream about a better bright tomorrow
I also ran, a dream’s a plan,
and there is gold in wonder
I sing because I do, because I can
Because the ghost of a better tune
Has got me grinning like a loon
And keeps me singing to the moon
Then, like the ghost of a better tune
You left the room too soon
Monday, 6 February 2012
Hopeland (Notes from Corsica) 13. Christmas Beach
I always wave at trains.
People in trains nearly always wave back.
There’s a little red and yellow wagon, Le Trinighellu, which chugs up and down the coast between Calvi and Isle Rouse, like some continental cousin of Thomas the Tank Engine. We call it ‘Pierre the Put-Put’. On request it stops with a ‘parp’ at any beach en route to pick up and deliver folk to and from their chosen haven. As the engine slows to a stop, ghostly faces peering out to sea, reign themselves in and focus on the beach life. If you can catch an eye, the traveller always seems to relish the connection. Most are genial, some downright rude. I could compile a lexicon on international sign language. Italians and Germans are the easiest to spot, comedians and straight men. As the train pulls away they resume positions and refix their gaze; some leaning forward hopefully towards an uncertain future, others peering back wistfully from whence they came.
It was Christmas morning and, after a breakfast of croissants, coffee and chocolate, Di, Gregg, Suzie and I made our way down to a deserted Bodri, now re-christened ‘Christmas Beach’. With the sands to ourselves we set up on the decking of ‘Sinbad’s’ bar, which would be closed until the spring. Although nothing could compete with Sinbad’s legendary cheese and mushroom omelette, a festive spread of chacuterie, cheese and cheap champagne was laid out and we tucked in, occasionally pausing for a game of charades and a magic trick or two. The food brought forth a family of cats; four scruffy wide-eyed kittens with their protective parents, nervous but hungry. We fed them scraps and gave them names. As the pallid sun struggled to fuel a pale, empty sky, we juggled with ashen driftwood and later a boule tournament somehow descended into beach cricket, girls against boys. After taking a brilliantly athletic catch in the slips I was suddenly overcome with a desperate need to dump. Coffee and chocolate! Although we had packed three bottle openers and two lemons, not one piece of toilet paper was at hand. Napkins anyone? In increasing desperation I scoured the scrub for scrap. Where’s ‘The Sun’ when it’s needed? I was eventually blessed with a sun-bleached copy of ‘Corse Matin’ and retired to a convenient dune to crouch like a canine. On cue every dog walker in the Balagne descended for his or her Christmas constitutional. As I steadied for evacuation I found myself the focus of a sniffing Shitzu, closely attended by its scowling owner. Both man and dog looked at me down long noses that tested the air with an odd mixture of empathy and contempt. I eventually managed to disengage from these conspiratorial inquisitors by throwing a stick and moved higher up the dunes, away from the beach. Dropping my trousers I re-assumed that ‘L’ shaped position and pointed myself with great precision down hill towards the sea. Relief, short lived: I nearly re-shat myself as that red and yellow train rolled leisurely by not ten feet from where I strained. All passengers previously gazing out to sea, dutifully reigned themselves in and caught my eye. Registering their sympathy and horror I could think of nothing better to do but salute like a trainee squady. If my earlier Christmas charade had been ‘Sir John Mills Shitting like a Shivering Dog’ I’d have won hands down.
Moving away with an indecent lack of haste, ‘Pierre the Put-Put’ parped.
I parped back and my salute became a wave.
I always wave at trains.
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