Our Man in the Field is essentially singer-songwriter Alexander Ellis, aided and abetted by a few talented amigos. The new album ‘Gold on the Horizon’ is a lovingly crafted collection of heartfelt authenticity. Recorded in Oregon by feted American producer Tucker Martine, the album comes replete with weeping steel, harbouring horns and just enough intensity to rubber stamp Ellis’s intent. And that seems to be to deconstruct and then rebuild himself before our very eyes. That standard approach could become mournful in lesser hands, but Ellis’s conviction convinces. "I’ve always been an outsider, so an outsider I’ll be." he intones on ‘L’Estranger’. His faith is in nothing but himself: “I believe there’s nothing up there looking down on me.” It’s that self-sufficiency that sustains and clearly moves him forward. The lyrics use familiar metaphor as lifeline but there’s enough personal insight offered as to make Ellis’s rope-a-trope authentic. He tethers his troubles to a soulful soundscape that evokes a youthful Van Morrison’s dreamier desires and Ray LaMontagne’s doe-eyed soul searching. Sure, it’s a conventional conceit, but our protagonist is utterly cogent in his cause. Alex Ellis has considered form, harvested homily and hued a sweet hymnal to hope. It’s apt that he offers up this wholesome set so close to Thanksgiving.
This is confident Americana: honey-toned and virtuous. If you want to believe in bucolic benevolence, Alex Ellis is a convincer. Our Man in the Field has farmed and fermented a heady crop: woozy with wonder but firmly fixed on that golden horizon.
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