Showing posts with label Ghost Reviews. Show all posts
Showing posts with label Ghost Reviews. Show all posts

Monday, 28 May 2012

'Ghost of Song' Reviews: 'CD of the Month' Vinyl Mag

The Italian online music magazine 'Vinyl Mag' has just reviewed 'Ghost of Song', making it their 'Disc of the Month'
8 out of 10 apparently.
You can read the original review here.
Below is a clumsy translation (by me) which gives a rough idea of the reviewer's kindness.
If you can improve on it please advise...
Many thanks to the journalist, Gianfranco.
You can currently buy 'Ghost of Song' here, either paying Amazon's ridiculous £14.34 (I wondered why it wasn't charting) or, still on Amazon, here, brand spanking new, for as little as £1.44 plus p&p...

Vinyl: Ghost of Song: Reviewed by Gianfranco Marmoro


Without succumbing to the lure of the music business and the praise of English critics, the band Miracle Mile have survived for more than two decades with an artistic stature in pop-rock that has few equals. The exquisite arrangements of Marcus Cliffe joined with the mastery of the songwriting of Trevor Jones have created a catalog of pop music that does not desire the fruition caught fast and broken by a distracted public, music that observes the daily moods and changes in the small poetic joys of life. The group's singer and composer Trevor Jones began to reshape his career as a pop singer with more intimate, catching sounds, more acoustic and less contaminated by the modernity of the last project of Miracle Mile, that album "Limbo" reached a perfection unknown to many composers of the new millennium. Their music is reminiscent of the splendor of noble writers like Elvis Costello and pop geniuses like Paddy McAloon (Prefab Sprout), built on a series of songs with infinite harmonic nuances, never the victim of apparent defeat by the joyful or melancholy. The two solo albums by Trevor Jones, "Hopeland" 2009 and "Keepers" of 2010, have garnered the attention of fans as ever, despite the confidence and resigned tone that characterized them, the matrices of folk and soul have become evident with a grace and an unexpected strength, the music has captured the moods and sounds that tells of the passing time and seasons with a warm and compelling musical language. "Ghost Of Song" tries to look back over the short and decisive step of this adventure, collecting a dozen tracks from the two albums and placing them in a more enjoyable context by eliminating the parts recited and even sacrificing some small pearls. Steel guitar and piano underscore the solar notes of the beautiful "Hopeland", a ballad both evocative and nostalgic, balanced between country and soul that the voice of Trevor emphasizes with warmth and little emphasis. The swaying harmonies of "Girl On A Bridge" and the gorgeous ballad in the blues key "To Tell You The Truth" is the result of harmonic insights of rare beauty, Trevor Jones possesses the poetry of Joni Mitchell and knows the secrets of the best Bob Dylan. It remains incomprehensible that silence still accompanies the music of the composer in London, it is rare to hear an album as strong and vital as "Ghost Of Song", the lyrical genius in the progression of "Bluer Skies Than This" deserves to be handed down to posterity, while the melancholy tinged symphony and opera of "I Showed You The River" brings back the memory of the glorious splendor of albums like "Harvest" by Canadian Neil Young. It should be emphasized that the great influence of American music is sometimes evident in the more country ballads like "Something Resembling Love", but also latent in a most british pop song like the incantevoel "I Deny", introduced by creating a beautiful mandolin and acoustic guitar that opens in a harmony which has the airy softness of silk and the strength of wood, resisting his refrain is impossible and foolish. Autumnal music, to listen to by the fireside with the smell of smoke and the snow falling, but also perfect company for the sultry days of August. "Ghost Of A Song" with each listen reveals an immense collection of emotions . "Folding Street" eliminates any lingering doubts and enters firmly amongst the best songs of the decade, a growing lyric welcomes traces of folk music with a hypnotic refrain that resembles a ritual dance. Reflective, sometimes austere, music by Trevor Jones does not mind baroque tones but knows the secrets of simplicity and poetry, his lyrical force transcends genres embracing jazz, blues, soul sound in the folds of a rich twilight colors and power emotional simplicity marrying classical music with a lyrical triumph that has the force of authenticity and intellectual honesty. Trevor Jones is one of the most vital writers of the last twenty years but also one of the most underrated, but now has come the hour of his discovery and his appreciation.

Sunday, 22 April 2012

Ghost of Song: Reviews: Properganda

Properganda: Issue 22
March/April 2012


Jones (aka Trevor Jones of Miracle Mile) released two albums that dared to mix spoken verse and songs, a surprisingly successful ploy that made both Hopeland and Keepers richly rewarding.
Both seemed to tell a story, or at least lay out an emotional landscape, the former’s optimism and the latter’s loss, that held a looking glass to our hopes and fears.
As always, Trevor crafted beautiful songs, delicate, tender, literate and bathed in melodies that make the hairs on the back of the neck stand proud and can bring a lump to the throat. Realising that not everyone could make the stylistic leap, 10 of them are presented on Ghost Of Song, an economical 40 minutes of perfectly judged, sweet melancholy.
In a just world a revisit wouldn’t be necessary, but then I Deny, Something Resembling Love, To Tell You The Truth and My Last And Latest Chance need to be heard, as does every song offered here. With musical foil Marcus Cliffe providing thoughtful arrangement from the intimate to the orchestral, these are pearls born of grit but with opalescent shimmer and deep lustre. If this is what it takes for these songs to be heard then make it so.

Simon Holland

Thursday, 5 April 2012

Ghost of Song: Reviews: Jeremy Searle for 'americanaUK'


Perfect pop compilation from Miracle Mile man

Trevor Jones is half of Miracle Mile, makers of some the finest adult pop music you are ever likely to hear.
For the last three or four years they’ve been on a break (though there is talk of a new album later this year) and during that time Jones has released two solo albums, “Hopeland” in 2009 and “Keepers” in 2010. Both were among the finest released in their respective years and, while they retained that perfect pop from the Mile Jones extended himself into darker and deeper areas to great effect. This was particularly noticeable on “Hopeland”, whose songs were interspersed with spoken word pieces.
Unfortunately, as is the way with so much great music, critical acclaim doesn’t equate to commercial success, and beyond the cognoscenti they neither really sold. So what he’s done is take the best bits from both albums – songs only – and put them on this album. Which makes this, cliché be damned, one of the best records of the year already.
The ten songs, six from “Hopeland”, four from “Keepers”, are magnificent. Jones is a writer of rare insight, and he marries his thoughtful and intelligent lyrics to wonderful tunes. There really isn’t a standout, but “My Last And Latest Chance” and “Something Resembling Love” perhaps sneak slightly ahead of the rest, their tug on the heartstrings and the tear ducts being just that little bit stronger. Much music is good, solid, enjoyable, worthwhile. Very little music can truly change the listener. This album can.

9/10

Jeremy Searle

americanaUK (22/1/2012)

Monday, 26 March 2012

Ghost of Song: Reviews: NetRhythms

With 'Ghost of Song' currently riding high at 81,661 in the Amazon charts, I thought I might try and drum up some business by featuring recent reviews.
They seem to be a bit thin on the ground these days.
I don't know if this is down to the competition for column inches from the ever increasing number of releases, or to my diminishing talent...
As you can see, it's got me thinking about hitting the bottle (again) but, where to start?
Thanks to those who have written Amazon/iTune or any other reviews; you've all been really positive.
Should you wish to add a review why not go to Amazon now.
A top 50,000 placing surely beckons.
Seriously though, the Amazon and iTune reviews really do help.
Good or bad.
Get sharpening those pencils.
Many thanks to Mike Davies for the following...


Jones - Ghost Of Song (MeMe)

For those already devotees of Miracle Mile's Trevor Jones, this is, disappointingly, not a new album in the sense following up Hopeland and Keepers. Rather it's a compilation of songs from both of them.
When originally released, each featured spoken word poetry between the musical numbers, delivered by Jones with a tender world-weariness. However, looking to explain why sales were so disappointing, he came to the conclusion that for those not familiar with his other work - and indeed for some who were - the spoken word elements were a barrier to making an audience connection.
And yet both albums feature some truly wonderful songs that he rightly felt deserved to be heard. So, he decided to come up with what is, in effect, a sampler, a selection of songs that he felt worked together to create a sustained mood, sharing what he described as a 'warm, yet woozy feel'. The sort of songs you slip into of an evening when you're looking to unwind or perhaps wallow in reverie a little. As such, he was reluctantly obliged to leave off several personal favourites because they didn't suit the sonic 'balm' for which he was aiming. Nevertheless, the result both as good a Best Of as a fan might wish for and an irresistible introduction for the uninitiated.
Hopeland yields the first six tracks, opening with the aching beauty of its title number, one of several that conjure a vocal mix of Cat Stevens and Martyn Joseph, and proceeding dreamily through the pastoral shades of Homeward, Girl On A Bridge, Bluer Skies Than This, the lovely piano ballad To Tell You The Truth and Something Resembling Love.
An album that saw him dealing with a loss that had cast a dark cloud over his reborn optimism, Keepers provides the final four numbers, five if you get the Linn remastered 24 bit version which adds Fatherless Son as a bonus.
The bluesy acoustic I Deny starts the final stretch, followed by the sad but forgiving farewell of Folding Sheets, My Last And Latest Chance (to be honest, I'd have gone with Nothing Between Us But Air) and the hymnal, piano accompanied I Showed You The River with its line about 'a darkening deep inside me' and a melody line that echoes Candle In The Wind.
When he started the compilation he thought he was weaving together melancholy, but on listening back found he was actually shaping romanticism. Listen to his ghosts and they will haunt your heart forever.

Mike Davies March 2012

Wednesday, 25 January 2012

Monday, 9 January 2012

Ghost of Song: Reviews: Get Ready to Rock

I've just had the first review in for 'Ghost of Song' from 'Get Ready to Rock' (click to read).
Thanks Jason.
There's also an interview from the same publication.
Read it here.
I'll post these (good or bad, warts and all) as they come in...